Critics didn’t quite know what to make of it, but audiences flocked to it, and it ran on Broadway from 1977 to 1979. It presented a visual and oral history of the 1960s along with performances by a Beatles’ cover band. Gill on piano.Ī more enduring project was “Beatlemania,” a multimedia extravaganza conceived with his friend Robert Rabinowitz, an artist and theater designer. The two played for office parties once or twice, with Mr. Watts was his design assistant until the Rolling Stones came calling. His work appeared in Esquire, the Nation, Glamour and other magazines.
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Returning to New York City in 1954, he began freelancing as an illustrator and designer. Drafted into the Army in 1952, he was a member of the design corps working in Washington. LaGuardia High School of Music & Art and Performing Arts), spent two years at the Philadelphia Museum School of Art (now the University of the Arts) and attended the Pennsylvania Academy of the Fine Arts for six months. He attended the High School of Music & Art in Manhattan (now the Fiorello H.
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He was in a jazz band by age 10, and as a teenager he spent summers playing at the borscht belt resorts in the Catskills. His father, Jack Gill, left when Bob was 2, and his mother, Frieda (Gothelf) Gill, struggled to make a living as a piano teacher. He felt passionately that good design was about communicating a message, not foisting a fashionable aesthetic on a client.įor a long time, much of the history of art in the service of commerce was about decoration, “about making things look fancy,” said Michael Bierut, a partner at Pentagram, the global design firm that grew out of a boutique London ad agency founded in part by Mr. Gill was part of a revolution in his profession. His métier, and religion, was graphic design, and along with peers like George Lois - the legendary art director of Esquire who once dropped an image of Andy Warhol in a can of soup for his magazine’s cover - Mr.
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Gill once played piano with the drummer Charlie Watts (and urged him to join an unknown band called the Rolling Stones) co-created “Beatlemania,” the late-1970s Broadway pop extravaganza wrote and illustrated a dozen or so children’s books and redesigned High Times magazine, the once-trendy chronicle of dope culture. The death, at a hospice facility, was confirmed by his wife, Sara Fishko. Bob Gill, the irreverent graphic designer who helped transform his profession from its decorative roots into a business of ideas, died on Nov.